Art.Fetish
. Coral Ridley . Portsmouth Uni - BA Photography How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!
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Coral Ridley

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theartofanimation:

Robin Olausson
theartofanimation:

Robin Olausson
theartofanimation:

Robin Olausson
theartofanimation:

Robin Olausson
theartofanimation:

Robin Olausson
theartofanimation:

Robin Olausson
theartofanimation:

Robin Olausson
theartofanimation:

Robin Olausson
theartofanimation:

Robin Olausson
theartofanimation:

Robin Olausson
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likeafieldmouse:

Dust Magazine featuring Marina Abramovic (2013)
likeafieldmouse:

Dust Magazine featuring Marina Abramovic (2013)
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azizalbraik:

NY-based photographer Shinichi Maruyama created these photographs using 10,000 individual photographs of a dancer
azizalbraik:

NY-based photographer Shinichi Maruyama created these photographs using 10,000 individual photographs of a dancer
azizalbraik:

NY-based photographer Shinichi Maruyama created these photographs using 10,000 individual photographs of a dancer
azizalbraik:

NY-based photographer Shinichi Maruyama created these photographs using 10,000 individual photographs of a dancer
azizalbraik:

NY-based photographer Shinichi Maruyama created these photographs using 10,000 individual photographs of a dancer
azizalbraik:

NY-based photographer Shinichi Maruyama created these photographs using 10,000 individual photographs of a dancer
likeafieldmouse:

Valentin Ruhry - Pull (2008)
boumbang:

L’image du jour
© Kyle Thompson
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likeafieldmouse:

Alan Friedman
An amateur astronomer’s photographs of the sun from his backyard observatory in Buffalo, NY:
“Using a small telescope and narrow band filters I can capture details in high-resolution and record movements in the solar atmosphere that change over hours and sometimes minutes. The raw material for my work is black and white and often blurry. As I prepare the pictures, color is applied and tonality is adjusted to better render the features. To record my images, I use a filter that passes only a narrow slice of the deep red end of the visible spectrum. Called a Hydrogen Alpha filter, it is attached to the front end of a small (3.75″ aperture) telescope. Think of it as a 450mm f5 telephoto lens. The camera used is an industrial webcam. It can stream images at a speed of 15 to 120 frames a second. Our atmosphere is a formidable obstacle to capturing sharp photos of a distant object. Streaming many frames in a short period of time allows me to temper the blurring effects of air turbulence. Each photo is made from many thousands of frames. Most frames are unusable, distorted by the heat currents rising from rooftops and asphalt driveways. But a few will be sharp. I review the video frame by frame for these moments of ‘good seeing’. The high quality frames are selected and then averaged to form the raw material for my photographs.”
likeafieldmouse:

Alan Friedman
An amateur astronomer’s photographs of the sun from his backyard observatory in Buffalo, NY:
“Using a small telescope and narrow band filters I can capture details in high-resolution and record movements in the solar atmosphere that change over hours and sometimes minutes. The raw material for my work is black and white and often blurry. As I prepare the pictures, color is applied and tonality is adjusted to better render the features. To record my images, I use a filter that passes only a narrow slice of the deep red end of the visible spectrum. Called a Hydrogen Alpha filter, it is attached to the front end of a small (3.75″ aperture) telescope. Think of it as a 450mm f5 telephoto lens. The camera used is an industrial webcam. It can stream images at a speed of 15 to 120 frames a second. Our atmosphere is a formidable obstacle to capturing sharp photos of a distant object. Streaming many frames in a short period of time allows me to temper the blurring effects of air turbulence. Each photo is made from many thousands of frames. Most frames are unusable, distorted by the heat currents rising from rooftops and asphalt driveways. But a few will be sharp. I review the video frame by frame for these moments of ‘good seeing’. The high quality frames are selected and then averaged to form the raw material for my photographs.”
likeafieldmouse:

Alan Friedman
An amateur astronomer’s photographs of the sun from his backyard observatory in Buffalo, NY:
“Using a small telescope and narrow band filters I can capture details in high-resolution and record movements in the solar atmosphere that change over hours and sometimes minutes. The raw material for my work is black and white and often blurry. As I prepare the pictures, color is applied and tonality is adjusted to better render the features. To record my images, I use a filter that passes only a narrow slice of the deep red end of the visible spectrum. Called a Hydrogen Alpha filter, it is attached to the front end of a small (3.75″ aperture) telescope. Think of it as a 450mm f5 telephoto lens. The camera used is an industrial webcam. It can stream images at a speed of 15 to 120 frames a second. Our atmosphere is a formidable obstacle to capturing sharp photos of a distant object. Streaming many frames in a short period of time allows me to temper the blurring effects of air turbulence. Each photo is made from many thousands of frames. Most frames are unusable, distorted by the heat currents rising from rooftops and asphalt driveways. But a few will be sharp. I review the video frame by frame for these moments of ‘good seeing’. The high quality frames are selected and then averaged to form the raw material for my photographs.”
likeafieldmouse:

Alan Friedman
An amateur astronomer’s photographs of the sun from his backyard observatory in Buffalo, NY:
“Using a small telescope and narrow band filters I can capture details in high-resolution and record movements in the solar atmosphere that change over hours and sometimes minutes. The raw material for my work is black and white and often blurry. As I prepare the pictures, color is applied and tonality is adjusted to better render the features. To record my images, I use a filter that passes only a narrow slice of the deep red end of the visible spectrum. Called a Hydrogen Alpha filter, it is attached to the front end of a small (3.75″ aperture) telescope. Think of it as a 450mm f5 telephoto lens. The camera used is an industrial webcam. It can stream images at a speed of 15 to 120 frames a second. Our atmosphere is a formidable obstacle to capturing sharp photos of a distant object. Streaming many frames in a short period of time allows me to temper the blurring effects of air turbulence. Each photo is made from many thousands of frames. Most frames are unusable, distorted by the heat currents rising from rooftops and asphalt driveways. But a few will be sharp. I review the video frame by frame for these moments of ‘good seeing’. The high quality frames are selected and then averaged to form the raw material for my photographs.”
likeafieldmouse:

Alan Friedman
An amateur astronomer’s photographs of the sun from his backyard observatory in Buffalo, NY:
“Using a small telescope and narrow band filters I can capture details in high-resolution and record movements in the solar atmosphere that change over hours and sometimes minutes. The raw material for my work is black and white and often blurry. As I prepare the pictures, color is applied and tonality is adjusted to better render the features. To record my images, I use a filter that passes only a narrow slice of the deep red end of the visible spectrum. Called a Hydrogen Alpha filter, it is attached to the front end of a small (3.75″ aperture) telescope. Think of it as a 450mm f5 telephoto lens. The camera used is an industrial webcam. It can stream images at a speed of 15 to 120 frames a second. Our atmosphere is a formidable obstacle to capturing sharp photos of a distant object. Streaming many frames in a short period of time allows me to temper the blurring effects of air turbulence. Each photo is made from many thousands of frames. Most frames are unusable, distorted by the heat currents rising from rooftops and asphalt driveways. But a few will be sharp. I review the video frame by frame for these moments of ‘good seeing’. The high quality frames are selected and then averaged to form the raw material for my photographs.”
likeafieldmouse:

Alan Friedman
An amateur astronomer’s photographs of the sun from his backyard observatory in Buffalo, NY:
“Using a small telescope and narrow band filters I can capture details in high-resolution and record movements in the solar atmosphere that change over hours and sometimes minutes. The raw material for my work is black and white and often blurry. As I prepare the pictures, color is applied and tonality is adjusted to better render the features. To record my images, I use a filter that passes only a narrow slice of the deep red end of the visible spectrum. Called a Hydrogen Alpha filter, it is attached to the front end of a small (3.75″ aperture) telescope. Think of it as a 450mm f5 telephoto lens. The camera used is an industrial webcam. It can stream images at a speed of 15 to 120 frames a second. Our atmosphere is a formidable obstacle to capturing sharp photos of a distant object. Streaming many frames in a short period of time allows me to temper the blurring effects of air turbulence. Each photo is made from many thousands of frames. Most frames are unusable, distorted by the heat currents rising from rooftops and asphalt driveways. But a few will be sharp. I review the video frame by frame for these moments of ‘good seeing’. The high quality frames are selected and then averaged to form the raw material for my photographs.”
likeafieldmouse:

Alan Friedman
An amateur astronomer’s photographs of the sun from his backyard observatory in Buffalo, NY:
“Using a small telescope and narrow band filters I can capture details in high-resolution and record movements in the solar atmosphere that change over hours and sometimes minutes. The raw material for my work is black and white and often blurry. As I prepare the pictures, color is applied and tonality is adjusted to better render the features. To record my images, I use a filter that passes only a narrow slice of the deep red end of the visible spectrum. Called a Hydrogen Alpha filter, it is attached to the front end of a small (3.75″ aperture) telescope. Think of it as a 450mm f5 telephoto lens. The camera used is an industrial webcam. It can stream images at a speed of 15 to 120 frames a second. Our atmosphere is a formidable obstacle to capturing sharp photos of a distant object. Streaming many frames in a short period of time allows me to temper the blurring effects of air turbulence. Each photo is made from many thousands of frames. Most frames are unusable, distorted by the heat currents rising from rooftops and asphalt driveways. But a few will be sharp. I review the video frame by frame for these moments of ‘good seeing’. The high quality frames are selected and then averaged to form the raw material for my photographs.”
likeafieldmouse:

Alan Friedman
An amateur astronomer’s photographs of the sun from his backyard observatory in Buffalo, NY:
“Using a small telescope and narrow band filters I can capture details in high-resolution and record movements in the solar atmosphere that change over hours and sometimes minutes. The raw material for my work is black and white and often blurry. As I prepare the pictures, color is applied and tonality is adjusted to better render the features. To record my images, I use a filter that passes only a narrow slice of the deep red end of the visible spectrum. Called a Hydrogen Alpha filter, it is attached to the front end of a small (3.75″ aperture) telescope. Think of it as a 450mm f5 telephoto lens. The camera used is an industrial webcam. It can stream images at a speed of 15 to 120 frames a second. Our atmosphere is a formidable obstacle to capturing sharp photos of a distant object. Streaming many frames in a short period of time allows me to temper the blurring effects of air turbulence. Each photo is made from many thousands of frames. Most frames are unusable, distorted by the heat currents rising from rooftops and asphalt driveways. But a few will be sharp. I review the video frame by frame for these moments of ‘good seeing’. The high quality frames are selected and then averaged to form the raw material for my photographs.”
likeafieldmouse:

Alan Friedman
An amateur astronomer’s photographs of the sun from his backyard observatory in Buffalo, NY:
“Using a small telescope and narrow band filters I can capture details in high-resolution and record movements in the solar atmosphere that change over hours and sometimes minutes. The raw material for my work is black and white and often blurry. As I prepare the pictures, color is applied and tonality is adjusted to better render the features. To record my images, I use a filter that passes only a narrow slice of the deep red end of the visible spectrum. Called a Hydrogen Alpha filter, it is attached to the front end of a small (3.75″ aperture) telescope. Think of it as a 450mm f5 telephoto lens. The camera used is an industrial webcam. It can stream images at a speed of 15 to 120 frames a second. Our atmosphere is a formidable obstacle to capturing sharp photos of a distant object. Streaming many frames in a short period of time allows me to temper the blurring effects of air turbulence. Each photo is made from many thousands of frames. Most frames are unusable, distorted by the heat currents rising from rooftops and asphalt driveways. But a few will be sharp. I review the video frame by frame for these moments of ‘good seeing’. The high quality frames are selected and then averaged to form the raw material for my photographs.”
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likeafieldmouse:

Robert Longo - The Sickness of Reason (2003) - Charcoal on mounted paper
likeafieldmouse:

Robert Longo - The Sickness of Reason (2003) - Charcoal on mounted paper
likeafieldmouse:

Robert Longo - The Sickness of Reason (2003) - Charcoal on mounted paper
likeafieldmouse:

Robert Longo - The Sickness of Reason (2003) - Charcoal on mounted paper
mpdrolet:

Willy Ronnis
hmmm-m:

Karl Blossfeldt. Adonis. 1929.
cinebookteam:

Photographer Alexander Rodchenko: Stairs, 1930
amen-madonna:

David LaChapelle in Paris for the First Time at Galerie Daniel Templon  The biblical wax figures were spared disfiguring by the vandals. The wax figures in the Still Life series were not as fortunate. These photographs depict distorted wax figures of celebrities such as Madonna and others.
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paintvrlife:


by Igor Klepnev
paintvrlife:


by Igor Klepnev
paintvrlife:


by Igor Klepnev
paintvrlife:


by Igor Klepnev
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museumuesum:

John Stezaker
Old Mask I-VIII, 2006Collage, 24.5 x 19.5 cm each
museumuesum:

John Stezaker
Old Mask I-VIII, 2006Collage, 24.5 x 19.5 cm each
museumuesum:

John Stezaker
Old Mask I-VIII, 2006Collage, 24.5 x 19.5 cm each
museumuesum:

John Stezaker
Old Mask I-VIII, 2006Collage, 24.5 x 19.5 cm each
museumuesum:

John Stezaker
Old Mask I-VIII, 2006Collage, 24.5 x 19.5 cm each
museumuesum:

John Stezaker
Old Mask I-VIII, 2006Collage, 24.5 x 19.5 cm each
museumuesum:

John Stezaker
Old Mask I-VIII, 2006Collage, 24.5 x 19.5 cm each
museumuesum:

John Stezaker
Old Mask I-VIII, 2006Collage, 24.5 x 19.5 cm each